Motion 5: Rigging & Publishing (Jem Schofield)
But how many of us have opened up this amazingly versatile application, only to give up after a few frustrating minutes? Did you ever want to find out more about After Effects, but didn’t know how to get started? Don’t let all those layers, switches, and buttons scare you! This session will help you crack the AE interface, shorten your learning curve, and get you up and running! Photoshop wizard Brad Richter will show you key concepts in making selections, an overview of the tools used for selections and how to save and extract selections.Īfter Effects 101: A Guided Tour (Joshua Pardon)Įvery post-production professional should know a bit about After Effects. Ready to learn how to make those difficult selections in Photoshop CS6? The art of making accurate selections is one of the most important skills in Photoshop and making those selections quickly and painlessly is equally important. Mastering Selections in Photoshop CS 6 (Brad Richter) In this session, join FCP X guru Larry Jordan as he shows you how to set your system up right for editing. Where do you store media to get the best results and avoid dropped frames? Which hard drive is the best? Do you need a RAID? How much storage? How do I move events or projects safely from one disk to another? When it comes to making your system fly, managing media and projects properly is essential. This session takes you through the correspondence between video signals and signal transformations and video scopes, and then goes into how to read Waveform Monitors, Vectorscopes, and Parade Scopes in order to see the aspects of the picture that you want to manipulate.įCP X: Manage Events and Projects (Larry Jordan) Once you learn to read the scopes, you’ll be able to target specific aspects of the picture that you want to change for creative reasons. Understanding the video signal, and how it can be analyzed using video scopes, is a crucial component of the color correction process. Video Scopes for Creative Decision Making (Alexis Van Hurkman) Why? So when projects come in the door that were cut in X (and they will), you’ll be able to jump in right away and get the job done.This session will focus on introducing you to FCP X’s user interface, how to get media into the app and how FCP X approaches the editorial process. If you are a working editor, you need to understand how it “thinks”.
Video Produced by Brad Richter of įinal Cut Pro X’s approach to editing is totally new. Workshops on After Effects, Avid Media Composer, Final Cut Pro X, Photoshop CS6, Adobe Premiere CS6, Motion 5 and much much more.įor more information visit: 8th & 9th, 2012 for Postapalooza at the Soaring Eagle Casino in Mt.